In trying to set up a collection of homeschool goals, I needed to consider my child's strengths and weaknesses.
It sounds easy, doesn't it?
He's good at reading, but not so good at math. He's good at music, but not so good at handwriting.
But then it gets tricky. And then it gets trickier.
For example... He can grasp an author's style to the degree that he can, for example, write a novel story that sounds eerily like the work of Rudyard Kipling. Yet he can't define the main idea of the same story, and then tell you a few details. What's more, his grammar and punctuation are atrocious.
He can play clarinet at the level of an advanced high school student if he hears and repeats it, yet he can't quite grasp the nuances of reading the notes on the staff. He loves band camp where he spends five hours a day practicing, yet moans if I ask him to spend ten minutes on the clarinet.
He loves fine art, and can talk at length about the works of Monet, Van Gogh and Picasso. Yet he can tell you nothing about the period during which the artists lived, nor can he accurately explain the difference between France, Holland and Spain.
What's he good at? Where are his challenges? As a linear thinker myself, I am finding it incredibly hard to develop a meaningful answer. He's a good writer and a rotten writer... a fine musician - or not. A knowledgeable young man or an ignorant kid.
He's all of the above.
OK, then. Time to write some goals!
What does it mean to teach and learn with a child on the autism spectrum? As we homeschool our son, Tom, age 14, we learn more about learning... and more about ourselves.
Showing posts with label homeschool music. Show all posts
Showing posts with label homeschool music. Show all posts
Friday, September 3, 2010
Sunday, October 5, 2008
Homeschool, Autism, and Time Management
When we started homeschooling this year, I decided it was time for Tom to take more responsibility for his own schedule. One of the strategies I thought we could try was a kitchen timer. We'd hand him the timer, and have him time his own breaks (our "lessons" are based more on content than on elapsed time).
Early on, we established that breaks would be ten minutes long. I showed him how to set the timer, and told him he could take the timer upstairs to his room so long as he listened for the alarm and let us know when it was time to start work again.
This worked beautifully for a few weeks. He mastered the skill of setting the alarm, and did a terrific job of letting us know it was time to get back to work.
Then, he started trying to negotiate for more time - fifteen, minutes, or maybe twenty. When we were firm, he started making the changes himself, and mentioning them to no-one.
Just yesterday, my husband Peter and I were exchanging notes, and Peter mentioned that Tom had actually reset the timer for 25 minutes... and that, since Peter had gone back to work (in his office) during the break, he really hadn't noticed the passage of time until he looked up at the clock!
At first, we commiserated, saying "how frustrating is that? We've really got to pay more attention to the time ourselves."
Then, we realized what a huge leap Tom had taken. Not only had he really, truly mastered the idea of measuring increments of time - he had also mastered the concept of RELATIVE increments of time (20 minutes is longer than 10 minutes), and he had worked out how to MEASURE a longer increment of time. Even more impressive, he had figured out how to manipulate his own schedule by SECRETLY changing the setting on the timer - a big jump in terms of "theory of mind." He knew we weren't paying attention, and that he thus had the power to make changes secretly, and change the schedule to his own benefit.
Having finally noticed the significance of this change, I then realized that he'd made other "silent" leaps that we'd essentially ignored. For example, he's decided to learn to bowl one-handed - entirely on his own - and while it's tough for him, he's persevering. He's noticing the emotions of other kids in the bowling league, and when one boy was upset we talked about the clues that showed us "upset" (red eyes, for one). Tom then remembered that HIS eyes had been red when HE'd been upset! He was also able to identify that a girl telling her friend to "shut up!" was just fooling around - because of the tone of her voice (which he was able to imitate).
Homeschool gym and "Hot Jazz" (afterschool jazz ensemble) are also a real breeze this year. Tom's joining in, paying attention, and generally connecting with the experiences being offered. While he still isn't really chatting with anyone else, he IS doing pratfalls, acting silly, taking his turn, smiling a lot - all wonderful social skills.
These changes are really pretty exciting - and seem to bode well for this year. Right now, I'm also considering a change in his clarinet teacher. He's working with a wonderful musician who was also the dean of a college music education department - and while it's good to be working hard on the basic skills of music and rhythm reading and execution, it isn't much fun. At this point, it seems to me that Tom should be focusing more on the idea of music as a way to express himself, join in with others, and generally find a place in the world - and less on sight reading and musical theory.
Early on, we established that breaks would be ten minutes long. I showed him how to set the timer, and told him he could take the timer upstairs to his room so long as he listened for the alarm and let us know when it was time to start work again.
This worked beautifully for a few weeks. He mastered the skill of setting the alarm, and did a terrific job of letting us know it was time to get back to work.
Then, he started trying to negotiate for more time - fifteen, minutes, or maybe twenty. When we were firm, he started making the changes himself, and mentioning them to no-one.
Just yesterday, my husband Peter and I were exchanging notes, and Peter mentioned that Tom had actually reset the timer for 25 minutes... and that, since Peter had gone back to work (in his office) during the break, he really hadn't noticed the passage of time until he looked up at the clock!
At first, we commiserated, saying "how frustrating is that? We've really got to pay more attention to the time ourselves."
Then, we realized what a huge leap Tom had taken. Not only had he really, truly mastered the idea of measuring increments of time - he had also mastered the concept of RELATIVE increments of time (20 minutes is longer than 10 minutes), and he had worked out how to MEASURE a longer increment of time. Even more impressive, he had figured out how to manipulate his own schedule by SECRETLY changing the setting on the timer - a big jump in terms of "theory of mind." He knew we weren't paying attention, and that he thus had the power to make changes secretly, and change the schedule to his own benefit.
Having finally noticed the significance of this change, I then realized that he'd made other "silent" leaps that we'd essentially ignored. For example, he's decided to learn to bowl one-handed - entirely on his own - and while it's tough for him, he's persevering. He's noticing the emotions of other kids in the bowling league, and when one boy was upset we talked about the clues that showed us "upset" (red eyes, for one). Tom then remembered that HIS eyes had been red when HE'd been upset! He was also able to identify that a girl telling her friend to "shut up!" was just fooling around - because of the tone of her voice (which he was able to imitate).
Homeschool gym and "Hot Jazz" (afterschool jazz ensemble) are also a real breeze this year. Tom's joining in, paying attention, and generally connecting with the experiences being offered. While he still isn't really chatting with anyone else, he IS doing pratfalls, acting silly, taking his turn, smiling a lot - all wonderful social skills.
These changes are really pretty exciting - and seem to bode well for this year. Right now, I'm also considering a change in his clarinet teacher. He's working with a wonderful musician who was also the dean of a college music education department - and while it's good to be working hard on the basic skills of music and rhythm reading and execution, it isn't much fun. At this point, it seems to me that Tom should be focusing more on the idea of music as a way to express himself, join in with others, and generally find a place in the world - and less on sight reading and musical theory.
Sunday, January 13, 2008
When It Comes to Homeschool and Autism - What's the Goal?
This question has really been plaguing me recently. Many homeschool books (and educational advocates) say you should have a vision for your child. You know - that he should achieve X by Y time... that he should have these skills, live this type of life, etc. That way, even if the vision changes, you can still measure your progress based on SOMETHING.
I resisted this idea for the longest time, becaue the whole idea of "steering" my kids just got under my skin. But for Tommy, it does seem important to know what I'm pushing toward.
One day, I think "this child has what it takes to be a real musician. and it's up to me and his dad to find the opportunities and to push him forward." When I think that way, I focus on getting him to the point where he can really manage situations independently; pass tests; manage people; and, of course, excel in music. I look for ensemble groups, and imagine preparing him for auditions for the Boston Symphony Youth Orchestra.
The next day I think, "if this child can just carry on a conversation for more than two exchanges without reverting to a monologue about his imaginary lizard, it will be a miracle!" Then I focus on social skills training, life skills, and teaching "math you can use."
So which is it? And it's not good enough to see "let's see where life takes him," because we're the folks in charge of deciding what life will actually OFFER!
One big problem with having specific goals (like music school) is that it assumes certain passions on Tom's part that I'm not sure are there. Sure, he enjoys playing clarinet, and he's better than the average 5th grader. But it's not because of a passion for music (at least I don't think it is). Rather, I believe he plays well because he has perfect pitch, and because he enjoys practicing. And he seems to enjoy practicing mostly because it's an anxiety-reducing activity. It reduces anxiety because he KNOWS what it takes to get the music right.
But he doesn't play piano or clarinet on his own. We always have to tell him it's time. He's always a little reluctant to go to lessons, or to the "hot jazz group."
So is it just a hobby? Or is it a career direction? Should we be pushing the life skills - or the academics? Should we be coaching him to fit expectations - or to follow his own path? I know that all these things are important, but a schedule that includes EVERYTHING could give us all anxiety attacks!
Bottom line: when it comes to homeschool and autism, what matters most?
I resisted this idea for the longest time, becaue the whole idea of "steering" my kids just got under my skin. But for Tommy, it does seem important to know what I'm pushing toward.
One day, I think "this child has what it takes to be a real musician. and it's up to me and his dad to find the opportunities and to push him forward." When I think that way, I focus on getting him to the point where he can really manage situations independently; pass tests; manage people; and, of course, excel in music. I look for ensemble groups, and imagine preparing him for auditions for the Boston Symphony Youth Orchestra.
The next day I think, "if this child can just carry on a conversation for more than two exchanges without reverting to a monologue about his imaginary lizard, it will be a miracle!" Then I focus on social skills training, life skills, and teaching "math you can use."
So which is it? And it's not good enough to see "let's see where life takes him," because we're the folks in charge of deciding what life will actually OFFER!
One big problem with having specific goals (like music school) is that it assumes certain passions on Tom's part that I'm not sure are there. Sure, he enjoys playing clarinet, and he's better than the average 5th grader. But it's not because of a passion for music (at least I don't think it is). Rather, I believe he plays well because he has perfect pitch, and because he enjoys practicing. And he seems to enjoy practicing mostly because it's an anxiety-reducing activity. It reduces anxiety because he KNOWS what it takes to get the music right.
But he doesn't play piano or clarinet on his own. We always have to tell him it's time. He's always a little reluctant to go to lessons, or to the "hot jazz group."
So is it just a hobby? Or is it a career direction? Should we be pushing the life skills - or the academics? Should we be coaching him to fit expectations - or to follow his own path? I know that all these things are important, but a schedule that includes EVERYTHING could give us all anxiety attacks!
Bottom line: when it comes to homeschool and autism, what matters most?
Wednesday, October 31, 2007
Music

When Tommy was seven years old, a friend of ours made us a gift of a clarinet. Tommy was intrigued, and seemed interested in learning to play. So... I embarked on a multi-month process of looking for a teacher who would teach clarinet to a seven year old with autism and significant "behaviors."
We were lucky to find a very young woman who really didn't mind taking on a "different" student. In fact, she was already teaching a young teen with Asperger syndrome - and seemed to be taking it in stride. So Tom started learning.
His teacher thought, since he was so young (and we had a piano in the house) that she'd teach him a little piano at the same time. For the first months, Tommy basically shoved toys in to the bell of the clarinet - but he could blow it correctly, played a few notes, and seemed to really enjoy piano.
The down side was that he point blank refused to play ANYthing new in his lessons. So his teacher taught me - and I coaxed Tom - and he'd come to the next lesson with his new music pretty well learned. It was clear that he had a good ear, and over time he really got pretty proficient. What's more, he's never had a moment of stage fright - so has appeared in concerts, recitals and even talent shows over the years.
Last year, he started in 4th grade band - with me or Peter sitting next to him at every rehearsal and performance. He didn't need us for moral support - or even to help him cope with the timpani and cymbals located two inches from his head. He just needed a little extra help in staying focused on the music, finding the right measure, and flipping to the right page quickly.
Since music seems to be Tom's real talent and point of pride, we've put a lot of energy into helping him do well. Not long ago, Peter actually arranged for us to get a private backstage tour of the Kimmel Center in Philadelphia - and Tom got to play on the stage! (I think this may have been the first and last time such a thing was allowed... evidently the union was not thrilled.)

So before we arrived on Cape Cod, we did a lot of research to find him a clarinet teacher, a piano teacher, and an opportunity to play in some kind of ensemble. We found an older man with a tremendous talent and a great teaching style to work with Tom on clarinet. He has a piano teacher who seems to "get" him.
And he's playing with the 5th and 6th grade students at the middle school in a group called "hot jazz." With great courage, Peter simply told Tom to go ahead and sit up on the stage with the rest of the clarinets - and he did! From what we can tell (watching from the seats) he's handling it just fine. Of course, he practices his pieces with his private teacher - who can help him learn any new notes, new techniques, and so forth. And he's doing it! Of course, he has yet to exchange a single word or smile with another band member... but he's there. He's playing. And though he appears shy, he's very much a part of the band.
Last month, we learned from the clarinet teacher that Tom, who has a terrible time reading music (we have to label much of it with letters) and an even worse time reading half, whole and quarter notes, has perfect pitch. Now he's learning most of his music by ear: repeating and playing along with his teacher.
We are fondly hoping that, in a couple of years, he'll be able to play with the town band - which does march tunes and the like in the harborside band shell. And to be honest, I think he'll be able to do it! It's nice to have fond - and reasonably realistic - hopes and dreams for our boy... just like any other mom and dad.
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